Sunday, October 27, 2013

What I Got They Used To Call The Blues

From the Maple Leaf Recording Studio Sessions, for the upcoming album "Handsnaps and FingerClaps"

He said he could always tell the sound of a song assembled in the studio, or polished onstage.

She had never been in a recording studio.  She was used to hearing her voice get lost in the music onstage.  But she had never felt so naked having her vocal track recorded. Like walking on a tightrope, no throwing out a highwire out in front of you, creating something solid to reach stretch out of you.  One wrong note, and this weak (rope bridge?) will fall out from beneath her.

She felt like Indiana Jones.

She felt like Wile.E. Coyote who would begin to fall only at the mention of gravity. (But her gravity was her FEAR.  The Shattering Glass.  The drop of sour milk that would curdle everything.  The opposite of his smile.  And all she wanted to do was to make him smile)

He was sweet and helpful, getting her to relax.  Allowing her to record a bunch of songs they had no intention of being serious about.  All the showtunes she loved, that would bring out her laugh, her natural playfulness.  He had a sense that if he spent a certain ratio of warm-up time to recording time, everything would work out.

He had her pick 5 songs that she LOVED.  Easy, fun, beautiful songs to record for posterity.  Easy being the key word.  He wanted to save those, even if just a portrait for himself.  Like taking out someone's picture, and caressing their smile.  He knew every facial feature as she went through her motions.

She wanted to be a Broadway ingenue or comedienne.  He just wanted her to keep smiling and sing lullabyes to him.


From The Carpenters, "Rainy Days & Mondays"

Sunday, October 20, 2013

That Mighty Dragon Sadly Slipped into His Cave

She was driving down a highway.  She was 38.  Not quite lost but not quite found.  Wondering about business school, if the student loans would pay for themselves or if she'd quit the life and be stuck with them.  Worse than a divorce, which she had counted herself lucky to have avoided, thus far.

Seeing him waiting outside the box office, leaning against the wall, everything came flooding back.  Her body recognized him before she did. And with long hair and a long scraggly beard, nobody else recognized him at all.

When he saw her, he smiled like he was caught by surprise.  Before she could deliver her practiced speech, he grabbed her into a bear hug which squeezed out all the petty resentments of the past 8 years.  He knew he could get her to see him with a bribe and an excuse.  A free ticket that would go to waste for her favorite group, and an honest admission of missing her.  Not too hard of a compromise. This concert was a long trip for her, and he hoped that she had spent the ride singing rather than stewing.

She had pulled up a series of their favorite cds.  And was in a mood to smile and look beautiful, living well as the best revenge.  She was hoping for some honest conversation, or at least some fun flirting.  But she still wasn't expecting much.

They were seated in the back of the room, in the worst corner, by the sound guy. Where all the comps go. He had given tickets away to another loyal listener, who was only too eager to monopolize the conversation.  This guy held his head to one side, as if he were constantly considering something, but the more animated his litany of famous autographs got, the more she thought it was probably a birth defect.  Another bearded guy showed up, another refugee from the radio station, looking clear eyed but so large that putting one's arms around him seemed like a impossible feat.  She wondered if they realized how much they looked alike in their nonconformity.  Shaggy beards, long stringy, greasy ponytails, salt and pepper hair, balding in front or back.  All wearing the same uniform: music tshirts, jeans, as if there was some bouncer who wouldn't let them in wearing a suit.  Shoulder bags that all held the same 45rpm albums, each with their own square plastic condom, waiting to be signed.

This was going to be a long night.

He joined in the conversation when the lucky contest winners compared war stories of famous photographs.  As usual, his brief rise to stardom granted him the most credibility at the table.  Everyone,  except her, leaned in to hear the Playboy Bunny story. Afterwards, the conversation was a steady decline into the failures of modern society.  Mostly the loss of the Free Form Radio format.  She was interested in only the vaguest of ways about the politics of all the local folk music radio stations.  Names that she hadn't heard in 10, 20 years started popping up; it tickled her to think that they were still alive, playing a variation of their old roles.

"Jane ran for public office.  Western Mass somewhere!  Remember how scatterbrained she got just trying to pull the news together?"  There was a special machine dedicated to the AP wire service and it printed out the hourly news just minutes before it was to be delivered live on the air.  Or was it a fax machine?

Halfway through, during the last song before intermission, she awoke to the evening.  The Famous Singer, not liking to play alone (after his rise to fame as part of a trio), began inviting audience members up onstage.  He started by asking for the children to come up.  Then, "All children under age 50".  She was only one of 3 who stood up, a group defined by age as well as boldness.  Seeing the results, he extended it to anyone under 70.  10 more people got onstage, but the rest being painfully shy. She could never be accused of that.  (No matter what her anxieties told her)

The moment itself was lovely; a large variety of people, in various stages of emotional and physical handicap sang together on and offstage and their hearts beat in unison rhythm.  It had the vague effect of church.

She found herself one of 15 audience members onstage, singing THE song of her childhood, and maybe the #2 or #3 top folksong in terms of popularity.  Practically the "Born in the USA" of the folk world.
And then, the Famous Singer handed her the microphone.

She took it graciously, fully in the moment, and gave into the music.  From the back of the room, he could hear her, could see how easily her body commanded the stage, even in the crowd.  Even her sincerity, came through which gave her confidence to stay on pitch.  She sang the few lines of the verse miraculously enough, even to her, the words came out sweetly and with a lovely bit of musicality.

"She's got it," he thought.

After the song was over, she stepped off the slightly raised platform and was beaming.

He hugged her.  And for the second time that night, he tried to lean in for a kiss.  But the other members of their motley crew were excited by proxy. If she wouldn't hug them, she'd at least want a copy of the moment.

"Nice solo, there, kid!  You have such a lovely voice.  I've always thought so."
"Thanks.  That was sweet of him to invite everyone up"
"I got video of that.  I'll send it to you.  What's your phone number?"
"You better get in line before he gets sick of signing autographs!"

Even though he didn't understand how his lust for an autograph won out over any other lust, he was quickly disposed of.  Back at the table for the rest of the night, he kept trying to ingratiate himself by offering more details of his conquest to get photos with every singer from the 1960's rock era.

She held hands under the table with her favorite DJ.  And when the waitress came with their burgers, and the constant and endless refills of coffee, she shifted her leg so that it was touching his.  When she pulled it away, his found hers. And when everyone else at the table was engrossed in the song about the Vietnam war, he undid the clip from her hair.  In the dark reflected audience light, he ran his fingers along her temple, to her lips, to her neckline.  She silently responded.

The music was over quicker than it had taken them to drive there.  She waited politely again, while he scribbled his info on the back of a cardboard box of gum and gave it to the Famous Performer.  He was trying to use his credibility as a DJ, when he pulled out his music cred, he just got a funny look.

"I remember that group.  Which one were you?"

That shot his confidence and even in the pictures she took, he looked nervous and the Famous Singer was already looking away from the camera, eager to move onto the next city.

"Always look people in the eye, no matter how tired you get,"  She said as they walked back to the car.
"It conveys a sense of sincerity to the fans.  And you know what they say about sincerity . . ."
"Once you can fake that, you've got it made,"  They both said in unison.

They had heard it in the control booth one day, a non-cynical musician, a real California type, who just blurted it out.  And then laughed.  As if the notion of anyone faking sincerity in that business was inherently ludicrous.  As if it wasn't already an oxymoron.  As if he were permanently stuck, California dreaming.

They had bonded over similar levels of cynicism; both suspected everyone of insincere and those in the industry who didn't realize it yet were doomed.  The only joy was the music onstage and the accidental magic that spills over into the audience.  Nights like tonight, which somehow gave them hope.

He hugged her to say goodnight as the group was heading in separate directions for their cars.  He wouldn't let go.  His lips aimed for hers and she turned a bit, so he landed only 3/4ths of a direct hit.

She did look him straight in the eye, hold him by the shoulders and smile as she said goodbye.  He decided to follow her to her car, leaving the others to wander off (laughing) to find their cars.

He hedged and hemmed and told her about everything he could, just to stop her from driving off.  They talked, and talked some more.

"I still have a long drive ahead of me,"
"You can come to my house, you know,"
"I know.  I could," she said noncommittally.   Then closed the door, rolled up the window and started the car.  And waved a firm, certain, goodnight.

He waved back, trying not to hide his disappointment.  Even walking away, he felt a warm glow.  As he got into his car, he felt loved.  And thought about how good it was to see his old friend.  And how horny she had made him.  But he was okay with it.  Just bewildered by the strong pull he felt towards her.  Different than before, somehow.  Lovely.

And then his engine wouldn't turn over.

And then he felt cold.  And more alone than he had ever been. All his wingmen had already left for their own journeys home.  What help were they, if they couldn't even wait to tease him about her and see if his junky old car would start?

He stared straight ahead, both hands on the wheel of his dead car, contemplating.

Nearly had a heart attack when she knocked on his window.

"Wanna ride, mister?"

==

She was picky about the radio stations, kept switching the channels, until he turned it off.

Sing Everyday.  Or the Cats song.  They had lots of suggestions, but neither were in shape to sing.

He told her about the concert they asked him to host.  And if she would come help him out.

She told him to stop trying too hard, of course she was gonna sleep with him.

They laughed.

She squinted into the windshield that was full of glare in the darkness.

He kept trying to hold her hand or her knee or tickle her along her chin.

She scolded him and he stopped when they got to construction on the highway.

He told her what exit it was.

She reminded him that she remembered.  That she had driven the route 100 times before.

It was just like old times.


"Puff The Magic Dragon" by Peter, Paul and Mary

Friday, October 18, 2013

When ya comin home, son?

They had been talking for a while now.

Sitting by his fire, he has big old man fuzzy slippers on.  Looking dashing, his beard neatly trimmed.  She's afraid he's going to lean over and make a pass at her.  And she'll have to hurt him as she pushes him away.  He looks a little weaker than before. She could take him.

But her gut is telling her that there is no sex in the air.  There's something wrong.  He's brought her here, surrounded himself with comforting things---something's wrong.

He's drinking hot cider.  They talk about the rain, the leaves, the ball game (he knows she hates sports, but she indulges him when he talks about the big comeback game.  She had heard about it on the radio the next day.  Everyone gave up and went to bed by 10.  By 10:30, the game had flipped.  Moral of the story: fall asleep in front of the tv)

She even tries to ask him.  But he just looks her in the eye, or looks away.  His eyes are bloodshot.  Either he's been drinking (it seems like he's as sober as the day he walked into his first AA meeting 39 years ago), or he's been crying.

God, she had never known him to be a crier.

"Remember that song?  About the baby?"
"Of course I do."
"Y'know how I told you about the kid. . . "
"Justin.  The one who might have been yours.  And the one you treated like your own son, even after she married some other guy."
"Yes,"
"For a guy who's not a father, you sure seem to have missed out on a lot of chances"

He turns away from her, and turns back trying to be brave.  His face crumples before he can get the rest of the words out.  He makes a few snorting sounds with his handkerchief, which she would normally laugh at.  If it wasn't such a serious moment.

"Wasn't he living in Wisconsin?  A banker?  3 kids?"
"He (snort) He -- it turned out he had a tumor. In his brain."
"Oh my god, is he going to get treatment for it?"
"Well, he found out 3 years ago"
"And he hasn't told you til now?"
"We hadn't really been in touch.  He didn't tell me.  His mom did.  He's dead."

All her coldness be damned. She runs over to hold him. Cry. Snort. Snort.

"I'm so sorry."
"Me too."
"When's the funeral?  Are you going out to Wisconsin?"
He doesn't answer.
He only starts rocking himself, slowly.  She rocks with him.  Gently.  Like a prayer, like how the Orthodox Jewish men daven/pray, always moving like a candle.  Always mourning, actively.

She was thinking about the word "Abandon".

How he had always used it as if it were such a word of action.  He abandoned his family. That girlfriend abandoned him in his hour of need.  But it seemed like the word was for something much less dramatic.  It was a word about not doing something.  She had abandoned him, after all.  Hadn't bothered to call.  At times she didn't miss it at all.  A thing she didn't do.  When you walk away, you may be slamming a door, or running.  But you make yourself disappear, and then poof!  Life is made up of being there.

He was there for the kid as long as his Mom would let him be.  And then she and the kid abandoned HIM.  And he was left with the Big Nothing.  And now, here he is, still mourning.

He pulls away.  Tears still wet on his face, but he's much calmer now.

"He died 3 months ago.  She didn't think to call me until now,"

And calmly, he lights a cigarette. The first he's had in 17 years.



Cat's In the Cradle by Harry Chapin

Sunday, October 6, 2013

Even My Sweat Smells Clean/I think myself into jail

"You should have gone on that solo tour.  Your voice was a real gift."

She looked over at the man who deserted her.  He chose to push her away when his Cash Cow went on tour.  They could have been the opening act.  The Boys loved her, they were a smash.  And very funny to boot.  But he was too cautious. He was . . .

"You had a gift." he repeated.
"We had a a gift," she reaffirmed.

He looked into her eyes for the first time that day.  He didn't understand why she was still talking to him.  Sure, she had disappeared for 17 years.  Most people disappear on him.  No, she had called.  And now, here she was, visiting him, in person.  More than anyone else had done.  Nursing him during this long slow decline.  Into death, if he was lucky.  Damn, why was he always cold?

He looked down to see her hand around his.  When did she do that?

"I never wanted to tour by myself,"
"You would've had that piano player . . . what was his name?"
"That guy who burped all the time?"
"He was on some medication," guiltily he made a mental note not to burp in front of her.  Just when he thought he was in a safe space.

"He wasn't you,"
Was this the time for explanations?  Now or never.  He wasn't sure if he wanted any explanations.  Why didn't they understand each other?

"How come you didn't marry me?"
"How come you stopped touring with me?"
"You first,"

He always seemed to get his way.  But it was always a false concession.  She was good at flipping his questions over like flapjacks.

"I didn't marry you because you didn't love me.  Except onstage.  And that was all I wanted,"
"Everybody likes me better onstage," he grumbled, turning his face to the wall.
"Because when you leave, you turn into an ass!  You ALWAYS had a groupie or two in your room, in OUR room.  And when I needed you, when our roads diverged in the wood, and you had the chance. you didn't take me with you,"
"You would have hated it.  They are cruel.  Besides, I wasn't gonna hold you back from that deal."

They sat in silence.  She didn't feel like rehashing this old argument.  Especially when he was wrong and wouldn't revise the narrative to reflect reality.

He had the power to bring her on tour and he used it to keep her away.  There was no DEAL.  Someone said something one night, which he interpreted as an opportunity.  She had some vague kind of offer, some solo gigs, from someone she didn't trust.  Something that would've faded easily and quickly.  She said yes.  That's the crazy thing.  She TRIED.  And he still blames her for never seizing her career.  She exhaled, knowing there was no career without him.  Without THEM.  They were the act.  And they were damn good.

A duet which was the opposite of his other Band.  The Cash Cow.  Something he had fallen into.   A story which had yet to find a satisfying narrative.

"I was walking in the East Village.  And I had a vision.  Go to California!"

Like any other drug trip taken in the early 60's.  And then his friend bugged him to go.  And then money, fame, girls, music, everything he ever wanted.  A wish come true.  It lasted 3 years.  And then *poof*.

20 years later that Band got back together, found out they were even more beloved.  Did a tour.  And then every 4 or 5 years.  And then one of them died.  That's when they began the final push.  Roll themselves out every year.  A series of tight, 2 hour concerts.  Full band backing them, everything easy.

But he still stubbornly did his solo gigs.  He was lucky to fill up a bar.  Somehow, the Cash Cow had nothing to do with his own music.  He used up all his magic in LA in the early 60's.

And that's where she found him.  At a DJ job he had.  And the shows he'd do on the side.  She'd help out.  Be his roadie.  Or a planted audience member.  They'd drive together.  Sing in the car.

And when the audience wasn't paying attention, he'd bring her up onstage.  Or she'd introduce him.  They'd work up an act.  Something silly.

And when the Band came around, they actually performed for them.  She went with them once.  As his "assistant".  They'd do the schtick during sound check.  Jokes, stories, some songs.

The first song she did for them was "With Plenty of Money" in her stripper voice.  The first 15 seconds were agonizing, meant to make everyone question why he had brought her along.  But then she'd belt.  And do the gravel-voiced impression of him.  Ventriloquism gets 'em every time.  By the end, the Band asked her to perform.

And he hated that.  He hated that they liked her better than they liked him.  Hated that he was always the wet blanket.  The guy who wouldn't drink.  (HE went off the wagon on his own gigs sometimes, but wouldn't drink around those guys.  They were downright assholes when they got drunk).

He hated to see her among the Other Women on tour.  The Wives, the Girlfriends, the Roadies and the Groupies.  He was dictating his life to her, he had his own version of history.  And seeing her watching him in context, he was embarrassed.  This was him as a millionaire, as The Most Famous Person IN The Room, and everytime, he felt like an ass.

He was jealous of her.  Of them, The Duet.  Afraid that Their Act would supercede his Solo career.  There was that tiny part of him who wanted to save that piece of performance for himself.  He liked the bit where he flew solo.  On tour with The Boys, he always had a few songs to himself.  She knew that it was lonely, and worse, the audience didn't like it.
She felt it, heard the shift.  They went from a cheering mass to a restless one.  His solo songs were the moments when people got up to go to the bathroom.

But he had to keep that space sacred for himself.  Fall or fly on his own.  She had been so angry about it.  Because when they performed together, in all those noisy bars, they were magic.  They could have gone on touring the rest of their lives.  She used to have fantasies, of him and her being normal, growing older together.  But they fought.  He was pushing her away, and like a fool, she kept leaving.

"I'm glad you're here," he said.
"Me too," She said.
"I'm cold,"
"I've given you all the blankets,"
"Um, could you, ah, get in?"  Sure, now he was hesitant and shy.
"Of course,"  She took off her sweater but left her tank top and pants on.  In any other context, she'd hate showing off her neck and batwings; she couldn't remember the last time she shaved and she smelled faintly of sweat from moving all those boxes in the living room to clear a wider path for him.

Somehow, armpit hair and aging fat never mattered.  She was a good 20 years younger than anyone else at all the hippie concerts anyway.  Being in his orbit was like crossing over into the Woodstock movie.  First nude beach.  Brought her to her first orgy.  How bad could the world be if people were still having orgies?

He tried to wrap his arms around her, and even so, she could feel how hollow he seemed.  His chest was a rib cage, like he was melting down into a skeleton.  He finally acquired that old-man smell.  Like that bent old guy down the hall from her in her first NYC apartment.  It was the smell of someone who was unloved.

The house seemed to shrink into silence as they held each other and the sky outside got darker.  Even though they were both awake, he didn't ask her to turn on a light.    The first time she entered the room, it had been decorated by his previous girlfriend.  The carpets still smelled brand new and the ceiling had a boarder of "Country-Style" hearts that seemed to scream out Dolly Parton or Kenny Rodgers every time she looked at them.  No, the house wasn't getting smaller, she thought, he just had more crap.  More boxes, a television, piles of papers and neglect.  Broken things.

When was the last time anyone else had come to visit him?  If she was kind to him, would he-HORROR-leave everything to her?  Would she be the one stuck cleaning up his house?  Would she have to make the calls for his funeral?  Did he even have a living will?

"I'm gonna have to get up to go to the bathroom."
"Just a few more minutes, don't go yet,"
"What if I come back?"
As she got herself out of his bed, he kept a tight grip on her hand.
"Okay, as long as you come back.  You always come back, don't you?"
He winked at her like the teen idol he once was.  Somehow, he even resembled Cary Grant.

She stumbled down the dark hallway to where she remembered the bathroom to be. His gold records peeked out from behind the cardboard boxes.  She saw a postcard with a younger version of herself on it.  A promo for their record.  She had told him not to print so many.

The audiences and touring all seemed like such ancient history.  She didn't have many regrets, just that they should have sung together more.  This was not a house for singing now.  This house smelled of death.






"Hammer and A Nail"
From listening to the Indigo Girls on
http://www.onbeing.org/program/indigo-girls-on-music-and-finding-god-in-church-and-smoky-bars/6008